NOTE:


† And then the Curse swept the Earth

Mostrar mensagens com a etiqueta ambient. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta ambient. Mostrar todas as mensagens

quinta-feira, 19 de fevereiro de 2015

Monocube "Blue Dusk/Red Dawn"

Most of you know that I'm all about the atmosphere in music and the one that music can also create by taking us to the most surreal and dreamy landscapes within our mind and in our subconscious. This next release that I'm about to talk about is the perfect vehicle to transport me into another dimension, another world. Monocube "Blue Dusk/Red Dawn" does that perfectly. 

The title immediately suggests that the perfect time of the day for you to experience this is at dusk or dawn, although to me, the perfect scenario sets at night. I find myself working in front of my screen with just a dim light on and this album echoing on my headphones. The first track "Blue Dusk" gently invades my ears with these ethereal, hauntingly waves of sound that takes me into such scenarios as the deepest woods, filled with thick fog where thin ray lights pierce like swords throughout the mist. A fantastic and mysterious haze lies within "The Sun That Never Was" which follows the same path left by its predecessor. Ghostly notes wave around us in fragile layers of sound, that seem to circle between themselves and all around us. Soundwise speaking, there's no major evolution, just an eerie, calm and ethereal atmosphere that numbs our senses. 

We reach the other half of the record with "Red Dawn" that introduces another vibrant energy, more instruments are thrown into the mix, more layers of noise and samples as some what it seems guitar notes, tingling from very far. In the midst of it, suddenly it evolves to some kind of martial rhythm until before falling back into the same lingering and sinister atmosphere, very much à la Raison d'Étre kind of record. The album closes with "Sea Salt", the dark ambient takes over again wrapping us with its repetitive rhytms and carries us along its twelve minutes of length throughout layers of sound as if each note has a light, a glow of it's own. And i think this is the best way to describe Monocube's music. 

Imagine it as if every sound is a ghostly entity, that glows in a very dim light in the Dark. This is just the perfect soundtrack for those who seek a piece of solitude into their lives. Listen to this, you won't regret. There's a lot of drone, dark ambient acts out there, but one thing I can guarantee you: very few are as memorable as Monocube, the prodigal child of Andrzej Gladuszewski. "Blue Dusk/Red Dawn" comes in a very amazing special edition with some remarkable photos, that you can preview on the links below.

Buy it here. And follow the artist here.








quarta-feira, 11 de fevereiro de 2015

Sonance "Blackflower"

I must begin by saying that the hardest part for me here was thinking on how could I begin this review. I could start in so many ways... but I guess I'll just open my chest out for you and try to explain in some words the impact this new album, "Blackflower", from UK's atmospheric sludge band Sonance had (ands still has) on me.

I clearly remember the day when Ben (Sonance) messaged me saying they had a new album out. I was stoked. Mostly because their debut album "Like Ghosts" left some deep scars on me. "Like Ghosts" was a beautiful beast, an amazing chimera that left me in complete awe and my expectations on a sequel to their work, clearly left me very anxious. Mostly because I didn't know what to expect from them. What really overwhelms me is the perfect timing how, no matter how low or high you might be, how that specific album or music can really touch so deep into you that leaves goosebumps all over your body. This was my case. At this point, due to several aspects in my life being happening at the same time, I was struggling inside, trying not to breakdown. Until "Blackflower" showed up. 

The first thing I noticed was the number of songs, five. Unlike "Like Ghosts" where we had only two colossal tracks. This raised even more the bar for my curiosity. The songs I got from Ben were in no particular order, so I started by listening to "Belgium". Outside my window, the day was cold and gray, and rain poured endlessly and as the first notes started to pour down into my soul that was already with slits it almost shattered into one thousand pieces.

I was absolutely carried away by the gentle power and melody embodied in the guitar notes that embraced by the warmness and caressing string arrangement, completely hit down inside of me and mirrored exactly what I was feeling at that point. So it was hard to keep my posture. The atmosphere in "Belgium" is smooth and beautiful. It feels almost like, for those who have the sensitivity to it, as looking into this beautiful painting. It sparkles these thin, warm rays of light, soft and melancholic notes that create this cozy and warm feeling inside. At the same time I immediately realized and thought to myself: "These blokes did it again." 

But this album is not all about melancholy, sadness and other related and inherent feelings. No. 

What I really enjoy about Sonance, besides their brilliant knack in creating and performing music like this, is their ability to balance the heaviness of genres like sludge and doom, that is basically the core here, with the melody pulled out from the most post-rock, atmospheric side of metal. What I'm trying to say is that aren't many bands making this type of formula nowadays. I can remember bands like Mouth of The Architect or even Rosetta for example. But Sonance are absolute brilliant in taking all of these influences and shaping them into the music we can find in "Blackflower". 

The main track of the album is "Belgium/Blackflower", a 15 minute maelstrom that just like a misty morning, begins by slowly unveiling the light within. It features the same notes as the instrumental "Belgium" but here it acquires another shape, more complex, more structured. We're just simply carried by it along its slow, gentle notes that oscillate building up into this crescendo where layers of instruments are added almost every single minute, the guitar, the drum, the bass, the strings until they're all in line and everything collapses into this fierce curtain of decibels, pulling us from that warm and cozy initial landscape where we started from, to this crushing, dark storm. Within the realm of sludge, where we are now, I dare say that the main influence here, soundwise, are Neurosis. It's inevitable not thinking of them, if you have well trained ears, when you hear the whole set of guitars, drum and bass all perfectly aligned together marching and crushing, pointing at the same direction. The vocals are relentless as they spew all that despair and rage as expected in this kind of record, on top of that wall of decibels creating this thick mass of sludge metal. 

Another of my favorites is "Attachment". Once again Sonance, pulls off those amazing feelings of sadness, solitude and melancholy. This time all wrapped up into layers of drone guitar. No drum or any kind of beat marks its presence here. There's just no need. It all evolves into this crescendo of strings, where anguished screams can be heard from very far away, culminating into this climax that give way to "Conical". The pummeling and almost industrial beat marks the rhythm, crushing our eardrums with these slabs of thick and ugly sludgy riffs. It feels like we're inside of some kind of bestial mechanism that moves at a very sluggish pace, crushing everything and everyone in its path. 

And the best way to close the way is nothing more than with "Tearce". A more introspective and atmospheric track. No vocals, no drums, no rage. Just a haunting wall of atmosphere. A side of Sonance that they seem quite to appreciate, as we heard it too on the Side B of "Like Ghosts". This band truly nurtures a feeling for experimentation as they're not afraid to try new things. And the thing is that works really well into their sound. This track is quite drone almost making me think of some The Angelic Process or Nadja track. 

Once again the band outdid themselves with "Blackflower". An amazing album that joins the best of two worlds, the melody and heaviness. This formula isn't new, it's true. But the real secret lies on how you blend them and how is the final result. The gentle and the beast. Smiles and tears. The Yin and Yang. The tracks are simply beautiful, they fit all perfectly in this record and I love them all as an only son. I must also underline that this album was all produced by Sonance themselves. So to them I take my hat off. Stellar job lads. 

I truly hope this gets a physical format soon, I know it will. To seek more information about Sonance, just head over to their Facebook page. Sonance will perform also on Temples Festival later this year, so it's another reason for you to not miss them live. In the meantime, stream or download this amazing album on the link below and support the band by giving any donation, buy merch. They truly deserve it.



quinta-feira, 11 de setembro de 2014

Bands You Should Be Hearing Pt.III

Yet again, some suggestions that might interest you.

Forhekset allé is a one man atmospheric-post-gaze-black metal act from Copenhagen, Denmark. The whole formula used by Forhekset allé on this EP is quite interesting. The whole mix between black metal, post-rock, shoegaze and electronic elements delivers some very intriguing and innovative music in the metal realm. I believe the best term to describe "VINTERBÆST" is indeed "experimental". This EP left me very curious on how a full-length would be from this artist.


................................ † ................................

Of Spire & Throne, a very well known band from here. I've been posting the work of these fine Scottish gentlemen since day one, and it's curious to witness their growth every time they send new material out. This year the band introduces us to "Toll of the Wound" their latest full-length album that came out by the hand of Broken Limbs Recordings. Once again, the trio unleashes three crushing songs that will smash our skulls with the most loathsome sludge doom to which the band has got us used to. Heavy, filthy dragged riffs covered with the cavernous vocals of Ali Lauder. One thing you'll probably notice, if you haven't heard this yet or at least with enough attention, is that, soundwise, the first track "Legacy" has a slight different kind of production than the other two songs. that was precisely the first thing I noticed when I heard the album. This happened because they were recorded by two different people with a with an range of five months between them although "Toll of the Wound" was mastered by James Plotkin. Two songs of the most minimalist sludge doom sliced by a instrumental all wrapped up in a very good sound mastering. You like your doom slow and sluggish? Then this is for you. Buy it here. Support these lads.


................................ † ................................

Offerstigen, a very curious band from Sweden. What do these guys play? Low-fi Black metal? Ritualistic Doom? I don't know and it's hard for me to describe their sound or even compare it to some band that already exists. They sound a lot different from the stuff I'm used to hear. And you know what? I like it. The despairing screams that range from afar from the rest of the instruments, the whole gloomy atmosphere that the band manages to pass with this release is really unique. Check them out.


................................ † ................................

Outer Gods the destructive atmospheric drone duo from Atlanta are back. Delivering two massive tracks of 22 minutes long each, that work as chapters for this noisy and corrosive wall of noise that we face in "Through This Unending Chasm". I do not listen a lot to this genre nowadays but once I press "Play" I get in such an entrancing state that is hard for me to get out this dark, labyrinthine well of drone and dark ambient. The first chapter deliver a more harsh and massive wall of distortion while the second chapter is more about creating a very haunting and creepy atmosphere. Approved!


................................ † ................................

Pornography, from Nashville, Tennessee. I almost forgot how good this band is. And at this point I don't understand how these guys aren't in some well known labels out there. I kinda imagine this band in Gilead Media, Iron Lung or even Deathwish. Pornography's sound is also very unique and is something that separates them from the rest herd. Slow, punishing, minimalist riffs that are thrown with precision into the mind of the listener causing nothing but discomfort. The tracks here, "Hex" and "Golden Sunshine" are very good but still, not enough. I want more from this band. And I'm sure you do too. So please... check the rest of the discography from this band. You can thank me later.


................................ † ................................

Finally, Recitation, an occult doom band from Copenhagen, Denmark. Introducing his first self titled EP. Apparently this was all written, performed, recorded and mixed by J. S. Jarlstrøm. Holy shit dude. The result is three heavy, primitive and slow impenetrable doom tracks. At a first listen it might not grow on you (it didn't grew on me at first ) so, it's going to take some few plays for you to probably get into Recitation's obscure version of doom. Of course that, soundwise speaking, there are some edges that needed to be trimmed so let's see what the future will bring for Recitation. Horns up!



quarta-feira, 3 de setembro de 2014

The Last Three Winters "Dyatlov Pass Incident"

The Last Three Winters, are an unknown band coming from Russia and at this point, I'm not even sure if they're still active. Now, I've stumbled across this band and this specific EP some time ago, and still once in a while I once again stumble on them and it's almost impossible to press "Stop" as I revisit "Dyatlov Pass Incident". This EP, judging by the title and cover of it, inspired by the Dyatlov Pass Incident, a gruesome episode that took place in the Ural mountains back in 1959, until today it remains a mystery. You can google about it and you will find a lot of information about this, I strongly recommend you doing a little research, a little bit of knowledge won't do you any harm...

Now, speaking of The Last Three Winters, this band plays a fusion of black metal, ambient, I don't know exactly how can I describe it. This EP features only two tracks simply called "Dyatlov Pass Incident I" and "Dyatlov Pass Incident II". The first one is a more caustic, ravenous black metal track that, sound-wise, I find it to be very similar to the last Leucosis album. Basically it consists of repetitive riffs and shrieking, inhuman howling screams that leads us immediately to the place where all those gruesome murders happened. The second track consists of a very calm and strange instrumental track where the guitar notes soon give way to some kind of a Buddhist chants that on its hand, give way to an eerie and haunting chant that closes the track.

Was the Dyatlov Pass Incident real? Was it a hoax to cover up something that went wrong? I'll let you take your own conclusions.

As a bonus, I have also included the self titled EP (released back in 2012) that pulls off some more post-metal/atmospheric/post-rock landscapes, if you wish to hear more about this band. Really worth a listen.


segunda-feira, 30 de dezembro de 2013

Best of 2013 - Part II: The Albums



And here we are, on the last part of what are my favorite releases of the year. Hope you guys checked and have enjoyed the other first two parts, the Best Demos/EPs and Best of Albums  Pt.I. Now, for this last part I've gathered some names that are probably more familiar to you. These are indeed the cream of the crop in my opinion. It's those kind of albums that are definitely a "must-have". Albums that, even with the amount of new music coming out, will always feels good to revisit from time to time. 

20. Wormlust "The Feral Wisdom"


Wormlust, one of Iceland's best kept secrets, saw this year his name on everybody's mouthes due to his first full-length "The Feral Wisdom". A cadavre exquis of hallucinogenic black metal that you just simply love or hate. Being a long time fan of the band I personally love the whole atmosphere of the album. Just look at the album artwork. It really reflects what you will find inside: A creative and innovative mixture of psychedelia, black metal with amazing and mesmerizing atmospheric parts that will take you on a authentic roller-coaster journey. Listen the whole album here.



19. Moon "The Nine Gates"


Australia's atmospheric black metal band Moon also delivered a very magical and beautiful album this year. "The Nine Gates"is a rather somber but mystical album, filled with great and enigmatic details. A dark trip into Miasmyr's mind. Beautiful.



18. Rorcal "Világvége"


One of Europe's best kept secrets are Rorcal, a band that has been around since 2006 or maybe earlier, I don't know, and still they don't get enough recognition out there. And that kinda pisses me off, because this band kills and deserves more eyes and ears upon them. Nevertheless, Rorcal have already a large cult of fans following their steps and this year we were gifted with the crushing album "Világvége". A demolishing fusion of sludge, black metal, post metal, post hardcore.. whatever. It's heavy as fuck. Damn right it deserves to be here. Listen to it here.



17. Aosoth "IV: Arrow In Heart "




One of my current favorite French black metal bands, Aosoth, who this year delivered another great milestone which strengthens even further their journey as one of the best BM bands coming from France. A must. Listen here.





16. Lycus "Tempest"

 

After a very well received Demo, Lycus delivered this year their first full-length and one of the best albums in the Doom category. Great songs carrying loads and loads of grief, despair and solitude. All wrapped in a great sound production. Amazing. Listen.



15. The Howling Wind "Vortex"


Here is an album that caught me by surprise. While I loved 2010's "Into the Cryosphere" I really didn't die of love for "Of Babalon" I thought it was missing something, those epic tracks that "Into the Cryosphere" has. But with "Vortex", that good old feeling came back. Great tracks filled with riffs that haunts my mind for days. Awesome work. Another good news is that "Vortex" is now available as CD, get it right here and listen to "Vortex" if you haven't, here.



14. Slidhr "Deluge"


Ireland is one of those countries that let's face it, that isn't the most famous when it comes time to name some acts within the black metal scene. But being few, doesn't mean that they're weak or mediocre... on the contrary. Slidhr finally put out his first full-length entitled "Deluge". It only took one listen to this album for me to stay completely addicted to it. What i really enjoy the most here, is the sound of this album. Starting from that bass, to the drum, passing by the guitars and ending on the vocals, it all culminates in a not-so-grim-sounding-but-quite-nefarious record. Superb. Check here.



13. Old Witch "Come Mourning Come"


Another pleasant surprise for the year is Old Witch. A two person band that simply created this wonderful piece straight out of nowhere. Introducing a great fusion of drone/doom and black metal, "Come Mourning Come" is a superb album, with great lyrics that will transport us to the most melancholic scenarios in the wild. I've heard that a physical album is taking place, let's hope soon. Listen to this beauty here.



12. Leucosis "Leucosis"


Making presence yet again in my personal list, are Leucosis. This year, the band brought another great album with some slight changes in their sound but further raising the bar when it comes to the quality of the tracks. Undoubtedly one of the best pearls from the underground. So glad I own a physical copy of this album. Listen here.



11. A Story of Rats "Vastness & the Inverse"


Another great album that struck me for weeks was A Story Of Rats "Vastness & the Inverse". I don't know if we can tag this as "metal", I mean... the atmosphere is really dense and heavy. It seems to hover over drone and doom territories at some points. Although if features two tracks, it's a very beautiful and transcendental album, starting from the music itself to the whole artwork created by ASOR member Garek J. Druss to whom I must thank for the copy I own of this remarkable piece. Turn off the light and light some candles. Listen to an excerpt here.



10. Usnea "Usnea"

 

Another outstanding debut was this self titled album by Portland's Usnea. Four amazing tracks of simple the best sludge/doom I've heard in quite some time. Where other bands that I personally love (cough.. cough.. Mouth Of The Architect.. cough..) failed to do this year, Usnea nailed it! Can't wait to hear more from this band. Listen here.

9. Paysage d'Hiver "Das Tor"


After a six year hiatus, "Das Tor" marks the return of Wintherr as Paysage d'Hiver. A one and a half hour of the most mesmerizing, cold and grim black metal being made. Every time I hear this it feels like I'm teleported to this dense forest in the middle of the mountains of Switzerland right in the middle of a blizzard. A masterpiece. Enough said.


8. Lychgate "Lychgate"


Undoubtedly, one of my favorites and probably most plays got here at the Haxan's den. Another remarkable debut coming out from one of the most amazing supergroups. Lychgate's debut is all about delivering great theatrical and enigmatic atmospheres with the most esoteric of black metal soundtracks. Awesome. Listen here.



7. Ataraxie "L'Être Et La Nausée"


Another remarkable album that has passed under the radar of may people out there is this one, Ataraxie's "L'Être et la Nausée". An amazing journey into grief, despair and madness. Strange how I don't see people mention this album more often it really deserves more ears upon it. A magnificent and outstanding work by the French band.



6. Carpe Noctem "In Terra Profugus"

 

"In Terra Profugus" is another amazing journey brought this year by Iceland's Carpe Noctem. I really don't know what they're taking up there in Iceland. This band took a giant leap in what they were doing and the result is this jaw-dropping, astonishing, brilliant album that pulled off so many great reviews along its path. Look forward to grab the vinyl edition next year. Listen to a track or buy the CD here.


5. Grave Miasma "Odori Sepulcrorum"


When I think of death metal, of real death metal, I think of guitars spewing putrid sounds, a drum echoing from the most deep of catacombs, a creepy bass that gives me goosebumps and a monstrous voice that seems to growl from a grave. All of this and even more can be found in Grave Miasma's "Odori Sepulcrorum". This, ladies and gentlemen, is death metal. So fucking good.

4. Portal "Vexovoid"


Portal, what's necessary to say about Portal that has not already been said? "Vexovoid" an album that introduced a new sound to the band that probably divided some long time fans, and maybe made them earn new ones. Nevertheless, this album still proves that these crazy aussies are still masters in their game. Another great milestone into their career. (re)Listen here.



3. Irkallian Oracle "Grave Ekstasis"

From Sweden comes another great gem, "Grave Ekstasis" from the mysterious band Irkallian Oracle. Intoxicating. Hallucinated. Entrancing. These are all words i can use to describe this fantastic debut. For those who didn't grabbed the tape, no worries... a vinyl release is on the works. Listen here.



2. Fyrnask "Eldir Nótt"


Do you know when, from time to time, you find one of those specific releases that overwhelm you in such a way that you can't find words to describe it? Well, Fyrnask's "Eldir Nótt" is one of those cases. I was absolutely overwhelmed when I heard the track that introduced this first album. Automatically pre-ordered it. My guts told me this was a masterpieces of the year, and when I finally got the (amazing) double LP, I wasn't wrong. If you still aren't familiar with this band or album I strongly recommend that you take care of that asap. One of the most beautiful albums of the year. Listen/Buy here.



1. Cultes des Ghoules "Henbane"


And finally, we're down to my number one. Cultes Des Ghoules toxic album "Henbane". Why? Well, first I really enjoy this album from beginning to the end, the whole atmosphere around it exhales black magic. Those intros that the band uses really enhance that theatrical environment to the album, an aspect that for me in this specific case works rather well. Then the sound, truth is that isn't the most grim and frostbitten black metal album out there but I guess because this album is on another level.. on a occult and esoteric levels. The whole performance of the musicians is just awesome and the vocals... ah.. the vocals. I don't know how he pulls out so many and creepy voices like that, almost if he's possessed by not one but dozens of evil spirits. "Henbane" is one of those unforgettable albums. A true vintage black magic metal and classical album... Hear it here.

- Download Part II of Forever Cursed's Best Albums of 2013 HERE

 That's it, hope you've enjoyed it. Let's wait and see and 2014 will bring. See you guys next year, wish you all a happy new year. All the best!

†H† 

quinta-feira, 12 de dezembro de 2013

Best of 2013 - Part I: The Demo/EPs


Man, 2013 was indeed another great year for heavy music. Am I right? 

Along these 12 months we've witnessed great releases coming out throughout the most diverse fields of metal music. I've gathered some releases that to me, gave me a lot of pleasure listening to and was absolutely overwhelmed by. Here you will find such diverse music coming from very different genres, from black metal to electronic ambient music, to death metal to post punk. I'm quite sure that are dozens of great, amazing underground releases out there that deserve to be on the spotlight, but this year was extremely busy for me and I didn't manage to respond all request & stuff. I'll try and justify why I've chosen the releases you will see featured below.


Besides all of the great music coming out, now (and more than ever) it's great to see that many people out there are really into tapes and vinyl again. Although the prices can't please every pocket and the postage/shipping increase between U.S/Canada/Europe is now more insane than ever. But it's good to see that at least some U.S labels are finding ways to keep their european clients satisfied by distributing most of their releases through European labels/distros. It's also nice to see some of the albums getting shape in the most diverse formats, pleasing all the metal music nerds like me, out there.

On the web, I'm sad to see that some of my bloggers-in-arms, like JT from Coffinpsalms and Sanakan from Equivoke have fell into the ground. I totally understand you dudes, that idea has crossed my mind way many times. My man Brett from Annihilate Next Week is still twitching from time to time and last but not the least, the slow dawning return of one of the most charismatic metal related blogs out there, like a phoenix coming out of the ashes, The Living Doorway from my pal, JGD. Good to see you back man.

Ok, so this first part is dedicated to the best Demos and EP's launched this year. This is a selection of my favorite that i've heard. I'm pretty sure I've slept on many others out there, but... Hey! I have a life. Said this, I hope you discover new music and enjoy them as much as i do. Thank you so much for staying on that side of the screen for all of this time. Thank you for your patience. You guys are the best. Thanks for believing in underground metal blogs. Wish you guys all the best. Enjoy the music.


10. Kêres "Old Blood for a New Moon" EP 


Great obscure black metal from Finland. The previous Kêres Demos are really good, but this time with "Old Blood for a New Moon" Kêres presents us a more clear and polished sound without never losing that mystical aura around it. I really enjoy this EP, besides the tracks being simple they're quite dark and the result is a very cohesive release from one of the best hidden gems from Finland. Get it from Ahdistuksen Aihio Productions.


9. Ostots "Arantzen Putzuan" Demo 


Great Raw Black Metal coming from the Basque Country. Here is a band that I believe might be new to many of you out there. I mean, the sound practiced by Ostots is not easy to please the generic black metal fan. Watching where the band started and where it stands now, Ostots have evolved a lot. Growing better and better, release upon release. I had great expectations with it's new Demo "Arantzen Putzuan" and it sure didn't disappointed me. Great tracks featuring the most pure raw black metal. Distributed by Fallow Field, Bubonic Productions also had a few copies, but at this point, I believe the tape is sold out.


8. Witch In Her Tomb "Maleficus Maleficarum" EP 


Raw, rabid and gnarly black metal from Illinois, U.S. It's true that Witch In Her Tomb have already a small cult around them. A proof of that is, whenever their physical releases come out, they fly in a blink of an eye. After a very well received Demo, with "Maleficus Maleficarum" WIHT proves us that they're one the best underground black metal gems in the U.S. actually.


7. Sun Worship "Surpass Eclipse" EP 


Great and epic black metal from Germany. Sun Worship are quickly rising and gaining a strong reputation release after release. "Surpass Eclipse" features two tracks of some of the most amazing black metal I've heard this year. Great construction of tracks, well played and very powerful. In the meantime I absolutely recommend you to check out their latest split with Unru, another great and aspiring band from Germany. You buy from Sun Worship here.


6. Hope Drone "Hope Drone" EP 


Remarkable and solid post black metal from Australia. I was totally blown' away by the quality of this EP. I can see a very shiny future for these boys. Fans of Ash Borer, Alda and other contemporary post black metal acts, take note. I've talked about this release when it came out. You can read it here. Buy it here.


5. מזמור "Untitled Winter" EP


Mizmor, the side project of A.L.N from the monster sludge/doom band Hell. With "Untitled Winter" EP, Mizmor gave me, and I hope to a lot of good folks out there, the perfect soundtrack for this Winter. A bleaking and heavy blend of amazing tunes that embody the best of two of my favorite music genres, doom and black metal. An amazing introspective trip. This release is currently sold out. Meanwhile check it out here.


4. Crypt Lurker "Baneful Magic, Death Worship and Necromancy Rites Archaic" EP


Evil crushing death/doom from the UK. Embodying the old spirit of British doom, Crypt Lurker are one of the heaviest bands out there right now. Released by the hand of Ulthar Records, do yourself a favor and grab one copy of this monolithic release here.


3. Malthusian "MMXIII" Demo 


Another great evil, obscure and hallucinogenic black death act, this time from Ireland. Malthusian are a new name on the scene to keep in mind. Their powerful blend of black and death metal is clearly one of the most asphyxiating and solid I've had the pleasure to hear this year. Released by Invictus Productions this Demo is sold out (and i own one... haha!), but you might get lucky and find some copies floating around although it's planned to come out as vinyl in a near future.


2. Fórn "Fórn" EP 


Crushing, vicious, heavy-as-fuck sludge doom from Boston. Now this is exactly the kind of sludge doom Haxan digs. Filthy riffs that march at the sound of putrid beats commanded by the most caustic style of vocals. Great, great stuff. I don't grow tired of hearing this. Sadly, only few physical copies were made and sold at their gigs. Look forward to hear more of this band. Check them out here.

1. Bölzer "Aura" EP 


Bölzer, fucking Bölzer. A band that, at this point, doesn't need any kind of introduction. The Swiss band that crushed everyone on their path, conquering a legion of fans with just one single song. Those riffs, those motherfucking riffs in "Entranced by the Wolfshook" are truly out of this World, they sound like the fucking lightnings of Zeus falling on our heads. I believe this must've been one of the most played EP's here at the Haxan's den. Amazing. If at this point you don't know or haven't heard this band... dude, you're clearly doing it wrong. Amazing band, amazing sound, amazing EP. The ancient Gods are pleased. Bring on a full-length. You can buy it at Iron Bonehead although there are several distros and Discogs sellers selling this beauty out here.



Download the compilation HERE and taste a few of what I've chosen back there.
That's all for now. Keep an eye out for the best Albums of 2013. Coming soon.


















quinta-feira, 21 de março de 2013

Flagellant "Illumination"

Little is known about Germany's Flagellant, a one man band that began back in 2004 and has released so far, two demos and this latest EP "Illumination". Flagellant's sound is hard to describe since it embodies a lot of different sounds from where we dissect genres like drone, ambient, black metal, shoegaze or even post punk... it's hard to tell. In this new EP, the sound is so harsh and noisy that we can only distinguish the rhythm of the blasbeat through the muffled sound of the pedal from the drumkit. Flagellant presents a very thick wall of atmospheric and corroded kind of black metal sound that ended up by pleasing me a lot. It reminds me a bit of the atmosphere from Echtra's "A War For Wonder". The atmosphere created with these two themes is great and inspiring, sounding like nothing you have ever heard when it comes to this genre. Between that harsh wall of sound, the guitar draws some solos that end up by giving the songs a fairly solemn facet. The fact is that Flagellant is not for everyone. Only few minds will get into this. But that's why we are all different, right? "Illumination" EP will have its physical form by the hands of Negation Records, so all of you interested in this, send them an email, or contact Flagellant directly through Bandcamp. Enjoy.



quarta-feira, 9 de janeiro de 2013

Cursed Altar "Movements of The Frozen Earth"

Now, i've talked about Cursed Altar here on Forever Cursed when the band released it's Demo back in 2011 and how I was really impressed by the quality presented back then, by delivering some great atmospheric black metal. Since that time, the band has evolved and released through their Bandcamp, a significant handful of releases, all for free. All of this is fruit of one man hard work, Joseph Oldaugh, the mind behind Cursed Altar, who takes care of all the music and artworks for its releases. Cursed Altar latest efforts (not counting with that new EP) really show that some sort of transformation happened... It became more... obscure. It features vocals, harsh, shrieking, vocals and the guitar has adopted that almost "Xasthurian" buzzing sound as heard on the opening and awesome track "The Darkest Place On Earth..." here on this compilation.

The voice really blends very well with the rest of the mix, and there's dimension on the music made here. Not some boring, poor, weak music. It really shows us a mature Cursed Altar. And i want to strongly believe that it will keep this way. It must! It may not sound trve kvlt black metal for some of you, but it's not meant to be. Cursed Altar's interpretation of black metal here is for something more tangible. Something that can create emotions in us, focused on the condition of human life and on the nature that surrounds us. It makes us travel in our mind, to the deepest of forests or to the top of the coldest mountains. 

One of the aspects on Cursed Altar's music is the fact that it has a real strong instrumental component, almost as if it's half atmospheric black metal, half atmospheric post rock. I really like the solution presented here and i wish all the best to Joseph in order for him to carry on this great music. And i suggest you too to travel to this Cursed Altar. Recommended for fans of Lantlôs, Lergrev, Nhor.

domingo, 26 de agosto de 2012

Scythling "Smokefall"

Blooming heavy atmospheric doom sludge improvisations from Aidan Baker (Nadja, Whisper Room, Infinite Light) and Josh Rothenberger (Bloody Panda), recorded live in Brookly 2008, and later augmented with several guest musicians. The resultant "Smokefall" revolves around three lengthy pieces sweeping between ultra-slow doom crushers to plangent ambient and darkly psychedelic folk and black metal atmospheres. An impressive album, one to really get lost in. For fans of Black Boned Angel, Æthenor, Nadja. Buy it here. Or here.

domingo, 29 de abril de 2012

Elm "Nemcatacoa"

This is what I'm in the mood for today, it's sunday night, it was a very windy day, the sky was all day filled with dark grey clouds. And this is just what i needed to clear up my mind from all of my worries. Elm is Jon Porras (from Barn Owl) solo creation. His music retains the megasonics of Barn Owl, but finds his tutelage deep in the heart of the desert. "Nemcatacoa" is a lonesome, epic journey. Named after one of the deities of his Colombian heritage, his latest full-length (and first large-scale solo release) feels huge and endless. Walls of guitars shatter beneath the weight of the booming percussion blasts that find their way from the caves into the light. An acoustic guitar is mournfully plucked, the beginning of a procession of the dead. "Nemcatacoa" is an album begging for somebody, anybody to find and embrace. Even though this album is dark and at times bleak, it never overpowers. Traversing similar aural planes as Sunn O))) and Earth, Porras is staking a claim all his own. As his voice wails over blankets of guitars, he never loses sight of the golden life ahead. It’s dark, it’s epic, it’s a full-fledged metallic drone masterpiece. Not sure if it's still available here, better email these guys before ordering.

quarta-feira, 30 de novembro de 2011

Balcony View

This is a request that arrived from one of my fellow Vicious Circle (check out blogroll) blog brother and head of Slays For Days Distro, Mr. rasputin.

Balcony View is the solo project of Chance Bridges from Alabama. This self titled record is his first release and is thematically based around the concept of an oncoming storm. In fact, the album was recorded prior to and during one of the biggest storms in Alabama of the past few years, and the intensity of that night is reflected in the music. The kind of music that Balcony View present us is very introspective, it feels almost that the listener is side by side with the artist in his room, and looking outside the window, a storm is starting to form...

The first track "Resonance" is a minimalist, acoustic track that serves almost like as an intro to this release, next we get "Old Ghosts" that softly lashes us with some warm sonic waves, i pretty like the post rock chords on the last minutes of this song, really a nice touch. After it comes "Skyscraper", that uses the same formula as the previous song, although with some more distortion on the guitar. "Cold Wind" is another soft song, featuring a low voice, so low i can barely hear what he is saying. Feels like he is whispering, almost as afraid to wake up in this numbness cloak built by successive warm guitar layers. Honestly i don't know if the voice really adds anything special to this song, or if it downgrades, when compared to the rest of the alignment. At last, the final apotheosis, "The Coming Storm (And Its Aftermath)" with almost 15 minutes long is the culmination of what we previously heard. A long dreamy song that builds imaginary devastated landscapes in our head. Balcony View's release is a pleasant release, although not memorable, its a recommended album if you wish to travel without moving your feet. What i liked the most about this release was its crescendo feelingjust like an oncoming storm. But always in a controlled way. Like watching a destructive storm from afar. For fans of Barn Owl, The Gentleman Losers, Human Bell, Fear Falls Burning. In lack of artwork from the artist, i took the pleasure to make one myself. Support by grabbing it here

quarta-feira, 16 de novembro de 2011

Belong

Following the line left with the previous post i now bring you one of my favorite releases of this year, Belong, with their beautiful album "Common Era". This is the first album in five years from this experimental duo. Both the time invested, and the wait, have been well rewarded with this return. "Common Era" shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the EP from 2008. The new material has such common pop elements as songs, vocals and drum machines, but the results could hardly be called conventional and are like little else happening on the current scene. Never heard anything like this.. it's not quite shoegaze, although the songs deliver a thick wall of sound, that is usual in that genre. The songs themselves are like radio transmissions received from another time and place, just as likely to be the future as the past, or even from a contemporary alternate universe. They are both passionate and dispassionate, grey yet technicolor, ghostly and palpable, distant yet immediate, grainy and focused. Upon listening these conceptual contradictions are dismissed with ease, as the recordings reveal that they fit all of these descriptors simultaneously, an extraordinary balancing act. Highly Recommended.

Sembler Deah

Sembler Deah is a journey behind words. This bold eulogy of dark ambient and industrial noisesoundscapes drags each participant, who is more than just a listener, into an ethereal and hypnotic journey of knotted drones and falls. Dark and hypnotic, beauty only rivalled by it’s ominous presence. Features members of Amenra, Kingdom and Treha Sektori… buy here.

Aelter

One of several side-projects to emerge from the Wolvserpent camp, Aelter is the solo effort of Wolvserpent guitarist Blake Green. With Aelter, Blake explores a similar realm of dark majestic sound to Wolvserpent, with his massive downtuned guitar roar and bleak minor key melodies being the common thread between the two projects. But where Wolvserpent blends this chugging Melvins-esque heaviness and haunting slowcore arpeggios with violins, pounding drums, and a propensity for extended hypno-dirges, Aelter dispenses with the drums almost completely and goes for a more cinematic approach using layered keyboards and gorgeous harmonized voices that reminds me of something you would have heard on Beggers Banquet or 4AD being fused to a malevolent black heaviness. Both of the Aelter albums were only released on vinyl in limited editions of a few hundred copies and are close to going out of print completely, "Dusk/Dawn & Follow You/Beloved" is a special journey into new landscapes of majestic sound. One of the most amazing album of the genre. Buy it here fast. Recommended.

sexta-feira, 11 de novembro de 2011

Dispirit

It's dark as none could imagine. Dispirit "Rehearsal at Oboroten" is atmospheric black metal at its best. It's the music we need when all's wrong. It's the new project of John Gossard, the man behind the guitar of Weakling and Asunder. And it's Xasthur-meets-Khanate somewhere but you'll find hundred other and better references I'm sure.  Enjoy this drowning in horror.